Aria Dean, Abattoir, U.S.A.!, 2023, single-channel video, sound, colour, 10 min. 50 sec., courtesy the artist, Greene Naftali, New York and Château Shatto, Los Angeles

Aria Dean (b. 1993) lives and works in New York. The selected writings of Dean were compiled in Bad Infinity, published by Sternberg Press in 2023. Recent solo and two-person exhibitions and performances include: The Renaissance Society, Chicago (2023); Greene Naftali, New York (2023, 2021); CAPC, Bordeaux (2023); REDCAT, Los Angeles (2021); Artists Space, New York (2020); Centre d’Art Contemporain Genève, Geneva (2019); and the Albright-Knox Art Gallery, Buffalo, New York (2018). Significant group shows include: the Whitney Biennial: Quiet as It’s Kept (2022); the Hammer Museum’s biennial Made in L.A. 2020: a version (2021); the Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2019); The MAC, Belfast, Northern Ireland (2019); Tai Kwun, Hong Kong (2019); Schinkel Pavillon, Berlin (2018); Swiss Institute, New York (2018); and the de Young Museum, San Francisco (2017), among others.

Her writing has appeared in publications including Artforum, Art in America, e-flux, The New Inquiry, X-TRA Contemporary Art Quarterly, Spike Quarterly, Kaleidoscope Magazine, Texte zur Kunst, CURA Magazine and November. Dean’s work is in: the collection of the De Pont Museum of Contemporary Art, Tilburg, Netherlands; Hammer Museum, Los Angeles; Hessel Museum of Art, Annandale-on-Hudson, New York; The Studio Museum in Harlem, New York; and the Whitney Museum of American Art, New York.