A continuing series spotlighting new films that expand the possibilities of the medium and provide a vision for its future.

A continuing series of in-depth retrospectives exploring the work of cinema's great artists, both past and present.

From a distinctive period in a filmmaker or actor’s career to the varied cinematographic interpretations of a great novelist's work, this continuing series offers an opportunity to draw connections across mediums and to narrow in on the details.

A subtle meditation on memory and performance, Hong Sangsoo's latest film unfolds through a series of increasingly intimate conversations, as he continues his exploration of the boundaries between lived experience and artistic creation.

A key figure of the Japanese New Wave, Nagisa Ōshima's body of work is one of the most vital, challenging and admired in cinema history. This programme brings together nine of his films with a particular focus on the work he made through his own production company in the 1960s and early 70s, illuminating the anti-establishment spirit and formal radicalism running through his cinema.

Vladlena Sandu, a survivor of the war in Chechnya, studies her traumatic memories in order to transcend and transform them via cinema in her poetic debut feature.

30-year-old Danielius returns to his hometown to sell his parents’ flat, but the visit lasts longer than expected in Vytautas Katkus' delicate study of homecoming, fatherhood, and belated farewells.

One of the most urgent, anxious cinematic interventions into the post-1968 defeat of the radical youth movement, Ōshima's The Man Who Left His Will on Film is an enigmatic unravelling of the suicide of a young member of a political film cooperative.

Willem Defoe plays Ed Saxberger, a forgotten New York poet, who is sought out by a coterie of twentysomething admirers who anoint him as a rediscovered genius. Kent Jones's thoughtful, witty film is a wistful yet unromantic look at a lost idea of downtown New York.

Gregg Araki's I Want Your Sex tells the story of Elliot (Cooper Hoffman), a kind-hearted if unmotivated twentysomething whose fantasies quickly come true when he lands a job with renowned artist and provocateur Erika Tracy (Olivia Wilde). 

Songs of Forgotten Trees, for which Anuparna Roy won the Orizzonti Best Director award at the 2025 Venice Film Festival, is a gentle ode to female friendship.

After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is
handed over to an enthusiastic young director for resurrection. But when she visits the original's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

Wrestling with writer’s block for her first film, Bouchra, a queer Moroccan jackal living in NYC, starts having difficult yet overdue phone calls with her mother in Casablanca that begin influencing the project. 

12-year-old best friends Ish and Maram wrestle to hold on to their friendship in the wake of a police stop and search. As the ripples take hold, the boys try to make sense of the men they are becoming – and how ‘letting go’ can be the hardest part of growing up.

The improbable life of French poet Arthur Rimbaud unfolds with all the shock and playfulness of his poetry.

A playful spin on theatrical adaptation, Alejo Moguillansky's latest film is a delightfully imaginative take on Samuel Beckett's Fin de Partie, punctuated by music, tennis, and another exceptional turn by Laura Paredes.

Armenian Film Society London presents the UK premiere of In the Land of Arto (2025), the debut fiction by Tamara Stepanyan, as part of Jukebox Film Club.

Nick Broomfield and Joan Churchill’s riveting documentary, shot over 3 months, following a group of women going through basic training for the US Army. Screening as a part of Contemporary Films 75th Anniversary celebration.

A landmark programme of restored and rediscovered films tracing Howard Brookner’s legacy through William S. Burroughs, Robert Wilson, downtown New York and AIDS-era memory, shaped by Aaron Brookner and Paula Vaccaro's 15-year effort to preserve, remaster and reactivate his archive.

To coincide with the BFI's retrospective, the ICA presents a selection of work by the French filmmaker Claude Chabrol.

Winner of the Silver Bear for Best Director at the 2026 Berlin Film Festival, Everybody Digs Bill Evans is a biographical drama film about the famous jazz pianist and composer Bill Evans. 

In this powerful documentary, Bel Trew travels to some of the world's most dangerous places for pregnancy and childbirth, meeting mothers, babies and frontline healthcare workers as they confront the devastating consequences of conflict, poverty and collapsing healthcare systems.

In 2007, French actress Juliette Binoche and British dancer-choreographer Akram Khan
stepped away from their established careers to embark on a bold artistic experiment.

The screening on Friday 18th September will be followed by a Q&A with Juliette Binoche

Picture This is a heartwarming portrait of three groups of refugee and migrant women in Edinburgh, Farnham and London who received photography training as a way to reinterpret their own experiences of exile.

Weaving together oral histories, archaeological field notes, regional legends, poetry, and song, Maureen Fazendeiro's The Seasons is a remarkable portrait of the Alentejo region of Portugal, its people, and its stories.

Mary Stephen is a Hong Kong-born, Paris-based filmmaker and editor, best known for her over two-decades-long collaboration with Éric Rohmer, and later with various other directors including Ann Hui.

 As pioneers of the structural film movement, Michael Snow (1929-2023) and Joyce Wieland (1930-1998) reshaped and redefined experimental cinema. 

A double programme featuring restored experimental shorts of Cuban filmmakers Miñuca and Fernando Villaverde, plus a restoration of Carlos Oteyza’s Venezuelan documentary short Mayami Nuestro.

Walerian Borowczyk’s critically acclaimed and influential medieval tale — a beautiful tragedy told with pitch-black humour and the director’s remarkable idiosyncratic inventiveness. Screening as a part of Contemporary Films 75th Anniversary celeberation.

In a Japanese coastal town still haunted by the 2011 tsunami, a taxi becomes a moving confession booth. Over the course of one night, a series of conversations between drivers and their passengers reveal how those who survived live with the dead.