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The Moon Has Risen
Institute of Contemporary Arts
The Moon Has Risen (月は上りぬ), dir. Kinuyo Tanaka, Japan 1955, Japanese with English subtitles, 102 min.

Book tickets

Living with their widowed father in postwar Nara, three sisters find their quiet domestic life unsettled by the complications of romance. When spirited youngest sister Setsuko realises that her reserved sister Ayako and a visiting family friend are attracted to one another, she takes it upon herself to bring them together, engineering encounters beneath the autumn moon while remaining less certain about the course of her own relationship.

Working from a screenplay by Yasujirō Ozu and Ryosuke Saitō, Kinuyo Tanaka transforms a seemingly familiar story of courtship and family life into something distinctly her own. Her graceful second feature is attentive to the bonds between women and to the competing desires for independence, companionship and change beneath the rhythms of everyday life.

It was through Ozu that the young Shōhei Imamura, then at the beginning of his career at Nikkatsu, came to work on the film as an assistant director – an intriguing encounter between three filmmakers whose very different approaches would each leave their mark on postwar Japanese cinema.

This screening will be introduced by Irene González-López.
Irene González-López is Lecturer in Japanese Studies at Birkbeck College, University of London, where she teaches Japanese Cinema and Visual Cultures. Her research focuses on postwar Japanese cinema and issues related to gender and sexuality, both in front and behind the camera. Irene has published widely on the representation of sex work, on women authorship, and on adaptations and remakes in Japanese cinema. Publications include: The Documentary Cinema of Haneda Sumiko: Japan in Transition through Gender, Arts, Nature and Society (Routledge, co-edited, 2026); “How to sell a remake: The Gate of Flesh media franchise” (2023); Tanaka Kinuyo: Nation, Stardom and Female Subjectivity (Edinburgh University Press, co-edited, 2018); and “The Profound Desire of the Goddess: Sexuality and Politics in The Insect Woman” (2017). Irene also often collaborates with film festivals (like Open City Doc, London; Las Palmas de Gran Canaria International Film Festival), film journals (Lumière, Outskirts), and film distributors (Arrow, 88 Films).  
 
Book tickets
Sun, 13 Dec 2026
Cinema 1
02:00 pm
Ticket information
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Access information
Cinema 1
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  • Arm rest either side of the seat dimensions: L 27 x W 7 x H 20
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