ICA is closed from the 30 May – 3 June inclusive.
Geumhyung Jeong: Under Construction
In this special presentation, artist Geumhyung Jeong brings her performance practice to the format of an artist talk. Via lecture, images, video clips, and movement demonstrations, Jeong will address her most recent work Under Construction (2024) currently on view in her solo exhibition at the ICA. Self-taught in robotics, the artist has created for this new commission five animatronic bodies incorporating medical model skeletons and her signature DIY hardware and electronics; a video installation space which documents the artist’s thoughtful construction, care, and maintenance of the mechanical bodies; and a live performance programme which culminates in this unique presentation.
This lecture format offers an opportunity to understand Jeong’s extraordinary approach to the automaton—a preoccupation of artists for centuries—and a window into the relationship between humans and our non-human interlocutors. Each facet of Jeong’s nimble practice reveals a tender dialogue of movement between the artist and her machines. In her studio in Seoul, she works with the machines to refine their capabilities, test their mechanics, and practice their choreographies. In performances and documentation videos, we can witness the machines—more nuts-and-bolts than AI—haltingly fumble and progress in their actions. They can mimic human motion, do what we cannot, and fail at our most basic gestures.
In this special presentation, artist Geumhyung Jeong brings her performance practice to the format of an artist talk. Via lecture, images, video clips, and movement demonstrations, Jeong will address her most recent work Under Construction (2024) currently on view in her solo exhibition at the ICA. Self-taught in robotics, the artist has created for this new commission five animatronic bodies incorporating medical model skeletons and her signature DIY hardware and electronics; a video installation space which documents the artist’s thoughtful construction, care, and maintenance of the mechanical bodies; and a live performance programme which culminates in this unique presentation.
This lecture format offers an opportunity to understand Jeong’s extraordinary approach to the automaton—a preoccupation of artists for centuries—and a window into the relationship between humans and our non-human interlocutors. Each facet of Jeong’s nimble practice reveals a tender dialogue of movement between the artist and her machines. In her studio in Seoul, she works with the machines to refine their capabilities, test their mechanics, and practice their choreographies. In performances and documentation videos, we can witness the machines—more nuts-and-bolts than AI—haltingly fumble and progress in their actions. They can mimic human motion, do what we cannot, and fail at our most basic gestures.
07:00 pm
Fri, 15 Nov 2024
Cinema 1
Ticket information
- All tickets that do not require ID (full price, disabled, income support) can be printed at home or stored in email
- For aged-based concession tickets (under 25, student and pensioner) please bring relevant ID to collect at the front desk before the event.
Access information
Cinema 1
- Both our Cinemas have step free access from The Mall and are accessible by ramp
- We have 1 wheelchair allocated space with a seat for a companion
- All seats are hard back, have a crushed velvet feel and they do not recline
- These are our seat size dimensions: W 42 x D 45 x H 52
- Arm rest either side of the seat dimensions: L 27 x W 7 x H 20
for the following requirements:
- We have unassigned seating. If you require a specific seat, please reserve this in advance
- Free for visitors where ticket prices are a barrier, please email
Cinema 1
No photography, video, or sound recordings will be allowed during the performance
No photography, video, or sound recordings will be allowed during the performance
Red Members gain unlimited access to all exhibitions, films, talks, performances and Cinema 3.
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no. 236848.