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Dykegeist
Institute of Contemporary Arts
Courtesy of Eve Stainton

The ICA presents Dykegeist, a newly commissioned choreographic work from Manchester-born London-based artist and performance maker Eve Stainton. With a live sound score conceived and performed by musician Mica Levi.

Dykegeist is interested in unravelling and complicating the archetypal narratives assigned to the lesbian predator creature. 

During the current of the evening, aesthetics will shift between a supernatural gothic thriller, a ’90s sci-fi spider lair, a haunted Manchester club scene, an abstract and warping horror-scape, a social situation to discuss threat / the phobic / consent / otherness, choreography and suspended encounters, gateways gravel grunge, emptiness and charged-ness.

Stainton understands the audience as active agents contributing to what will become the world of Dykegeist over the duration of the event and beyond – in flux and dependent on what / who is in the room. The audience is asked to transition through different modes of presence: participant, onlooker, listener, collaborator, consensual prey. Extra attention and care will be given to make it comfortable to decline any invitation offered. This new commission has brought Stainton back into connection with Manchester’s club scene, specifically tracking their affinity with Speed Garage sounds, originating in African American soul and exploding in the North of England in the ’90s. These spaces, sounds, dances were formative to Stainton’s current research into the power of the queer somatic encounter mediated through frequencies, vibrations, grotty-ness and subversive necessity.

Continuing their formal concerns with clashing and co-occurrence, Stainton has created new collage pieces and welded steel sculptures that further load the multidisciplinary world between Stainton, Levi and audience.

A series of limited edition digital collage prints by Eve Stainton is now available to buy via ICA Artists’ Editions.
Eve Stainton is an artist interested in the politics of uncodeable queer presence and its intersections with race and class. They create multi-disciplinary performance worlds that hold movement practices, digital collage, and welded steel, and other invisible forces like waves, imagination and drama. These forms work together to create live ecologies that are discordant, multi-layered and psychedelic. Stainton is interested in the production of conflicting states and textures to unravel essentialist thinking, with intent to create more expansive understandings of the lesbian identity, non-gender/variance, and perceptions of the ‘real’.

Notable presentations include newly commissioned work with Florence Peake for Venice Biennale 2019, Block Universe (UK), The Place (UK), Nottingham Contemporary (UK), Crac Occitanie (FR), Sadler’s Wells Lilian Baylis (UK), La Becque (SE), LCMF (UK), CCA Glasgow (UK), Tangente (CA). Features include AQNB, FACT Mag, Dazed Beauty, Twin Magazine, Art in America, This is Tomorrow. Work for other artists include Anthea Hamilton, Tai Shani, Last Yearz Interesting Negro, Sonia Boyce, Malik Nashad Sharpe, Holly Blakey, Goldfrapp, Compagnie ECO international tour, Vivienne Westwood, Claire Barrow, Art School, Molly Goddard, walking for London/Shanghai/Paris Fashion Weeks.

Mica Levi is a musician and composer born in Guildford and living in South East London. They are currently a member of the groups CURL, Good Sad Happy Bad and Tirzah.

Concept, choreography, performance: Eve Stainton 
Sound performance: Mica Levi 
Digital collage and steel sculptures: Eve Stainton
3D typography by Pauline Canavesio aka BORA 
Producer: Michael Kitchin 
Costume: Sophie Donaldson 
Dramaturgical support: Jamila Johnson-Small & Zara Truss-Giles 
Tech support: Patrick Brett & Daniele Crespini
Photographs © Anne Tetzlaff
Supported and commissioned by ICA, The Place, South East Dance and Metal. Supported using public funds from Arts Council England. 

With thanks to London Sculpture Workshop

 
£10 Full, £7.50 Concessions, £5 Green/Blue Members

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Capacity is limited for the performances in line with social distancing. We ask that audience members wear face masks, unless exempt.

Access Information:

You are free to leave the theatre space at any point during the performance, readmittance may not be possible. The theatre has level access. The performance is standing with some seating available in the space if preferred/ needed at any point.

Audience members may be asked to participate at different moments during the performance. This will happen through conversation and will never be assumed. 

Audience members may engage in touch with the performer at specific, guided moments. This will only happen with clear consent. These moments will involve non-alcoholic antibac gel.

Actions in the performance may be sensual in nature, and will be handled sensitively.

Sound levels will fluctuate from very loud to very quiet.

This performance has strobe lighting.

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