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Impact Driver is interested in methodologies for constructing thriller-like suspense. How suspense can be sustained as the main event, in the absence of a climax or traditional resolution. Borrowing the logic from a welding workshop, Stainton foregrounds activities that require live negotiation and decision making; making visible how scenes and objects take their shape, and continue to move through meanings. Atmospheres, garments, feelings and materials, generative and in tension.
Working with time-based notions of being ‘caught in the act’ and ‘on tenter hooks’, Stainton explores how suspense as a rumbling undercurrent has the potential to punctuate lesbian and trans-masc identities. Haunting, time stretching, absurdist.
‘Welding is potent for me in so many ways- its strong alchemical presence, its extreme theatricality, its capacity for danger/excitement/drama/power/thrill, its sensuality, its brashness.’
– Eve Stainton
– Eve Stainton
Featuring an ensemble from different creative backgrounds who don’t usually work in the field of dance, this research continues Stainton’s work in celebrating the gender non-conforming lesbian and trans-masc experience, of which there are many, and what foregrounding these identities means to the white western Contemporary Dance canon.
Collaborators
Concept and Choreography: Eve Stainton
Performance: Tink Flaherty, Romeo Roxman Gatt, Imani Mason Jordan, Mica Levi, Eve Stainton & Leisha Thomas
Sound World: Leisha Thomas & Mica Levi
Producer: Michael Kitchin
Set Design and Fabrication: H S Design Studios
Production Manager: Helen Mugridge
Lighting Designer: Charlie Hope
Costume Designer: Ella Boucht
Welding Manager: Hester Moriarty Thompson
Dramaturgical Support: Liz Rosenfeld & Jamila Johnson-Small
Access Dramaturg and Embodied Writer: Kat Bailed
Access Dramaturg and Embodied Writer: Kat Bailed
Artist Care Person: Seyi Adelekun and Madinah Farhannah Thompson
Choreographic Support: Florence Peake
3D Typography: Bora AKA Pauline Canavesio
About the materials
The steel is sourced from FHBrundle suppliers and will be recycled after the performance. This research acknowledges the complexity of the UK steel industry, both historical and current – with the closure of steel factories in the North of England in the 1980s under Thatcher and the affect this had on marginalised groups, music subcultures and the colonial and environmental implications.
More:
Pre-show information + Audio Description
Audio description intro (document)
Audio description intro (audio)
Pre-show information + Audio Description
Audio description intro (document)
Audio description intro (audio)
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