The latest film from filmmaker Jonathan Glazer (Under the Skin, Birth) is a chilling and oblique examination of the Holocaust, and the capacity for indifference in the face of atrocity.

Penniless Kondo’s (Koide Keisuke) encounter with homeless movie enthusiast Sato (Uno Shohei) leads the young Kondo to take a job at the Ginpei Scala Theatre, a small independent cinema on the verge of closure. As he interacts with his co-workers and staff, Kondo begins to reflect on his own past…

A transcendental journey through time and space and an astonishingly immersive exploration of the cycle of life and death from Galician filmmaker Lois Patiño.

Hisada’s memories of his childhood are bittersweet: in the summer of 1986, he befriended Takemoto Kenji (Harada Konosuke) from a shanty house, and the two embarked on a mini-adventure together, unaware that their childhood innocence was soon to be shattered.

Kanae (Maki Yoko) struggles to manage a bathhouse after her husband’s (Nagayama Eita) disappearance, haunted by her childhood memories. Things take an interesting turn when Hori (Iura Arata) arrives, seeking work and shelter. In the quest to find Kanae’s missing husband, questions linger: why did Hori appear, and what do Kanae’s memories reveal?

While grieving the loss of her friend, a woman living alone in Paris begins an unusual correspondence with two filmmakers in Sofia Bohdanowicz, Burak Çevik and Blake Williams’ formally inventive collaboration.

Hana (Ito Aoi), a high school girl engulfed in misery and devoid of hope, is one day approached by a special agent telling her she can save the world. With its effective use of CGI and overwhelmingly human performances, this time-travelling apocalyptic sci-fi film raises the bar for the genre.