A programme of seven artists’ film and moving image works, coinciding with Frieze London 2024. 

Unresolved historical injustices and a devastating drought raise the stakes in a generations-old conflict between indigenous farmers and white landowners in Laikipia, Kenya, a wildlife conservation haven.

Two cousins’ attempts to move a second-hand sofa across Dayton, Ohio, turns into an absurdist odyssey in this boldly original, delightfully weird US indie comedy.

After being a peddler, street photographer, radio announcer, policeman, and mechanic, Jacinto (Asdrúbal Melendez) decides to become a film projectionist. He aspires to bring cinema experiences to the people of Venezuela.

Intimately observing a community of zoos and animal rescue centres across Argentina, Jessica Sarah Rinland’s feature-length second feature refutes the simple boundaries between human and non-human.

In the 1980s, a Palestinian Bedouin artist, Bashir Abu Rabia, was hired to create special effects for Rambo III. Today, Bashir returns to the desert locations, where he finds material remnants and debris left behind in the sand.

Japanese journalist Shiori Itō’s self-documented journey to seek justice against the man who sexually assaulted her is brave and empowering beyond words.

After the Soviet invasion of Prague, a young female photographer, Libuše Jarcovjáková, strives to break free from the constraints of Czechoslovak normalization and embarks on a wild journey towards freedom, capturing her experiences on thousands of subjective photographs.

This beautiful restoration, a history-making debut from Marva Nabili, follows LFF 2020’s Treasures entry The Chess of the Wind as another unearthed gem of Iranian cinema.

Deliriously entertaining and ruthlessly satirical, Coralie Fargeat’s explosive Cannes sensation is a be-careful-what-you-wish-for fable for the ages.