The latest film from Victor Kossakovsky (Gunda, Aquarela) is an epic, intimate, and poetic meditation on architecture and how the design and construction of buildings from the ancient past reveal our destruction — and offer hope for survival and a way forward. 

A man quits work to care for dying grandmother, motivated by her wealth, scheming to win her favour before she dies.

From Palestinian worldmaking to the Cuban revolution, French colonial capture and Mexican post-revolutionary artistic revivals to the subversion of monuments of indigenous people, this programme explores art's relationship to (anti)coloniality across a range of historical and national contexts.

Recipient of the Silver Lion Grand Jury Prize winner at Venice Film Festival this year, the film is a richly compassionate, emotional and detailed drama of family secrets in the wartime Italian countryside.

Underneath the walls and the fences, the checkpoints and the watchtowers, the waters never cease to flow, eroding the (infra)structures of oppression. In this double-bill, two filmmakers set their gaze upon the cityscapes of Bethlehem and Berlin, while zooming in on the architectural marks left by the state violence.

Indian filmmaker Payal Kapadia’s stunning sophomore feature – which follows ICA Distribution project A Night of Knowing Nothing (2021) – is a profound meditation on urban migration and dislocation.