The first film from the former Yugoslavia to openly depict LGBTQ+ characters, remains one of Želimir Žilnik’s most enduring works, even more brilliant for its open acts of love and positivity at a time of such misery.

In 1970 Snow, his partner Joyce Wieland and two colleagues were flown by helicopter to the wildernesses of northern Quebec and left there for several days. They set up a remote controlled device on a mountaintop to film the surrounding area, and the end result was La Région Centrale, a landscape study free of human life.

Marianne Jean-Baptiste delivers a career-best performance as Pansy, a woman battling grief, rage, and disconnection in Mike Leigh’s Hard Truths, three decades after their collaboration on Secrets and Lies. 

A double bill of Snow's only foray into narrative cinema, alongside his final feature-length film, a hallucinatory riff on early 21st century existence which incorporates aspects from his entire body of work.

The latest film from Hong Sangsoo reunites Kim Minhee and Kwon Haehyo in an autumnal tale of desire, self-expression and the inescapable nature of the past.

Fleeing persecution in the US, Hungarian architect László Tóth is commissioned to construct a monumental building. Driven by a powerful performance from Adrien Brody, Brady Corbet’s The Brutalist explores trauma, art’s value, and ambition’s price.

A laid-off newspaperman has 24 hours to come up with the back rent he owes. Desperately looking for an old friend who may be able to help him, his search begins to take on a different meaning when he discovers his friend has seemingly disappeared.