January 2020. A film crew reunites near Wuhan to resume the shooting of a film halted ten years earlier, only to share the unexpected challenges as cities are placed under lockdown.

A DIY investigation to uncover the woman behind the face of ‘Mavis Beacon Teaches Typing’, an educational software programme developed in the 1980s. 

Artist Lawrence Abu Hamdan has a sonic research practice that acts to investigate human rights abuses. In this essay film he focuses his “Private Ear” into analysing sonic data generated by the UN to chart the incessant noise pollution emanating from unauthorised Israeli plane and drone flights into Lebanese airspace. Preceded by Elisabeth Subrin's Manal Issa, 2024.

An insight into the private estate of Leni Riefenstahl, who became world-famous with her Nazi propaganda film Triumph of the Will, but continually denied any closer ties to the regime.

Corinne Cantrill’s sole-authored, autobiographical feature, in which she traces her life story through a series of photographs and probes the relationships between body and image, cinema and photography, the moving and the static.

A burglar and the owner of a house he attempts to rob journey across Vietnam to the homeowner’s wife’s grave where he wishes to join her. 

Desire leaves traces – on bodies, in memories, in the flickering frames of old VHS tapes. Les fantômes du hard is a journey through these remnants, an attempt to reconstruct a lost history of hardcore sexuality in Marseille.