Isiah Medina strikingly reimagines the gangster picture in this profound and ironic examination of both depiction, endorsement, and the morality of making and consuming cinema.

A screening of four films by Antonia Luxem, substantiating their ongoing exploration into dreams, falling and altered states, followed by a conversation with curator Anna Colin, on dream logic as a method and the relationship between film, writing and performance.

Considered one of his best films by many, The Death of Maria Malibran, is a baroque meditation on grief, centred upon the fabled Spanish-French opera singer who died aged 28, that dissolves biography into a fantasia across three women: Magdalena Montezuma, Candy Darling and Ingrid Caven.

A father and his son arrive at a rave deep in the mountains of southern Morocco, searching for Mar who vanished months ago. Hope is fading but they push through and follow a group of ravers heading to one last party in the desert.

Lana Daher’s archival essay film is a personal journey through Lebanon’s audiovisual memory that spans 70 years of film, television, home movies and photography. 

With her life crashing down around her, Linda (Rose Byrne) attempts to navigate her child's mysterious illness, her absent husband, a missing person, and an increasingly hostile relationship with her therapist.