Isiah Medina strikingly reimagines the gangster picture in this profound and ironic examination of both depiction, endorsement, and the morality of making and consuming cinema.

Three documentary snapshots of the cultural and political upheavals of late 1960s America: D.A. Pennebaker’s seminal festival film, Monterey Pop; Agnès Varda’s Black Panthers; and Pennebaker’s One P.M., which draws extensively on footage shot for Jean-Luc Godard’s abandoned One American Movie.

Four adolescent girls each spend their youth in the same farmhouse over the last century. Separated by decades, resonances between their lives emerge: desires and distress, secrets and truths, encounters with another’s gaze and defiant gaze in return.

Drawing on telenovelas and home movies, the debut feature from Mexican filmmaker Racornelia incisively unravels the shifting power dynamics underlying a young family’s Christmas dinner in Mexico City.

Two riveting performances are magnificent anchors for Wajda's historical drama of the great conflict between two chief architects of the French Revolution, a moderate and a radical.

Lana Daher’s archival essay film is a personal journey through Lebanon’s audiovisual memory that spans 70 years of film, television, home movies and photography.