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Thursday 19 November 2020
Institute of Contemporary Arts

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Design and strategy consultancy Nemesis produces self-initiated, multi-disciplinary research on network tech, subculture, design, language, urbanism and fashion. Founded by Emily Segal and Martti Kalliala, their latest memo, ‘The DOOM! Report’ was created by feeding material recorded by a survey through the AI language model GPT-3.

The Berliner Gazette has launched its Winter School, ‘Silent Works. The Hidden Labor in AI-Capitalism’ – a programme of activity aimed at demystifying the restructuring of labour. A set of materials is already available online, with more resources including talks and writings to come.


‘I work in such a way that if I set a film in a particular place, I have to leave one door open to that region, so that the people from there can enter the story, with their own stories, their own sensibilities. So we worked with a lot of elements from the region as well as with the people there, who described others from the region in turn, so Oroslan as a character is combination of those elements.’

Oroslan is part of FRAMES of REPRESENTATION 2020 and is available to stream for seven days from 28 November, 4:30pm.


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Tomorrow at 10am PST, the Center for Humane Technology presents this conversation with the director of Coded Bias, Shalini Kantayya, following MIT Media Lab researcher Joy Buolamwini’s discovery of racial and gender bias in facial recognition software. What does it mean when artificial intelligence controls our liberties, and what are the consequences for the people AI is biased against?

Track of the Day


Eins Zwei Drei Vier
We are standing here
Exposing ourselves

We are showroom dummies
We are showroom dummies

We’re being watched
and we feel our pulse

We are showroom dummies
We are showroom dummies

We look around
and change our pose

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