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Moki Cherry: Here and Now
Institute of Contemporary Arts
March 2023
Moki Cherry, Title Unknown (Dragon), 1975, textile appliqué tapestry, 300 x 200 cm. Photograph: Anders Sune Berg, Galleri Nicolai Wallner

Here and Now displays over 30 artworks and archival material of Swedish artist, designer and educator Moki Cherry (1943 – 2009) including works that have never been shown in the UK. The exhibition celebrates her exploration of where art and life meet, her collaborative and interdisciplinary practice, and her inventive resolve in the face of gendered challenges working both as an artist and mother – issues which remain pertinent to artists and audiences today.

Trained as a fashion designer, Moki was already embedded in the Stockholm cultural scene when she met the jazz musician Don Cherry in 1963. It begun their 20-year relationship and artistic collaboration which was formalised in 1967 as ‘Movement Incorporated’, later renamed ‘Organic Music’. A skilled pattern cutter, Moki created tapestries and costumes for their performances for which she is perhaps best known. Foregrounding Moki’s assertion of herself as an artist in her own right, the exhibition also features often overlooked aspects of her work such as a 16mm film she shot of her first solo exhibition in 1973 as well as sculpture, painting and writing which she practiced up into the 2000s.

Throughout her life, Moki sought to use her creativity to communicate with and inspire others. The exhibition’s accompanying event programme will provide a platform for contemporary practitioners to respond to the significant themes in Moki’s work, from music, experimentation, collaboration, audience engagement to teaching and working as a mother.

Press Release
This exhibition was made possible with Art Fund support.
Moki Cherry (1943 – 2009) was a Swedish interdisciplinary artist and designer who worked in tapestry, fashion design, painting, music, collage, woodwork and ceramics. She worked with materials that have a relationship to functionality and themes relating to nature and spirituality. Moki envisioned her life and work as part of an aesthetic utopian vision of ‘home as stage, stage as home’, in which her artworks were experienced in the home, in music and theatre performances, and in art galleries. 

Recent solo exhibitions include Moki Cherry, Galleri Nicolai Wallner (2022), Copenhagen, Denmark; Organic Music Societies, Argos, Brussels, Belgium (2022); Moki Cherry: Communicate, How? Paintings and Tapestries, 1967 – 1980, Corbett vs. Dempsey, Chicago, USA (2021); and Organic Music Societies, Blank Forms, New York City, USA (2021). Her works are held in the collections of the Centre Pompidou, Paris, France; Collezione Maramotti, Reggio Emilia, Italy; Malmö Konstmuseum, Malmö, Sweden; Moderna Museet, Stockholm, Sweden; and Muzeum Susch, Zernez, Switzerland.
Wed 31 May – Sun 27 August 2023

Tickets and public programme to be announced.
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Moki Cherry, ‘Communicate, How?’, 1970, acrylic on board, 20.5 x 26 cm. Photograph: Tom Van Eynde, Corbett vs. Dempsey
Moki Cherry, ‘Breakfast at Tiffany’s’, 1979, textile appliqué tapestry, 100 x 100 cm. Photograph: Cherry Archive, Estate of Moki Cherry
Moki in her New York loft. Courtesy: Robert Quailer