A university professor travels from São Paulo to the seaside city of Recife during Carnival week, hoping to reunite with his son. He soon finds out he’s been tailed and spied on by neighbours in his new refuge, leaving him no possible escape from the tentacles of corruption.

Following the deeply personal 88:88, Isiah Medina turns to adaptation with his second feature, tackling Nick Srnicek and Alex Williams' 2015 post-work manifesto to craft another radical work of montage that explores everything from the failings of neo-liberalism to the tactile reality of free time.

Isiah Medina strikingly reimagines the gangster picture in this profound and ironic examination of both depiction, endorsement, and the morality of making and consuming cinema.

By the end of 1968 Schroeter had acquired a 16mm Beaulieu camera with which he began making longer work in black and white that became points of departure in his art. This screening presents three such pieces.

An odyssey through desert and soul, following a father and son across a stark Moroccan wilderness, as they chase a loose thread to an illegal rave filled outcasts, for their missing daughter, and sister.