30-year-old Danielius returns to his hometown to sell his parents’ flat, but the visit lasts longer than expected in Vytautas Katkus' delicate study of homecoming, fatherhood, and belated farewells.

One of the most urgent, anxious cinematic interventions into the post-1968 defeat of the radical youth movement, Ōshima's The Man Who Left His Will on Film is an enigmatic unravelling of the suicide of a young member of a political film cooperative.