After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is
handed over to an enthusiastic young director for resurrection. But when she visits the original's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

Wrestling with writer’s block for her first film, Bouchra, a queer Moroccan jackal living in NYC, starts having difficult yet overdue phone calls with her mother in Casablanca that begin influencing the project. 

Songs of Forgotten Trees, for which Anuparna Roy won the Orizzonti Best Director award at the 2025 Venice Film Festival, is a gentle ode to female friendship.

12-year-old best friends Ish and Maram wrestle to hold on to their friendship in the wake of a police stop and search. As the ripples take hold, the boys try to make sense of the men they are becoming – and how ‘letting go’ can be the hardest part of growing up.

30-year-old Danielius returns to his hometown to sell his parents’ flat, but the visit lasts longer than expected in Vytautas Katkus' delicate study of homecoming, fatherhood, and belated farewells.

Vladlena Sandu, a survivor of the war in Chechnya, studies her traumatic memories in order to transcend and transform them via cinema in her poetic debut feature.

One of the most urgent, anxious cinematic interventions into the post-1968 defeat of the radical youth movement, Ōshima's The Man Who Left His Will on Film is an enigmatic unravelling of the suicide of a young member of a political film cooperative.