After years of slapdash sequels and waning fandom, the Camp Miasma slasher franchise is
handed over to an enthusiastic young director for resurrection. But when she visits the original's star, a now-reclusive actress shrouded in mystery, the two women fall into a blood-soaked world of desire, fear, and delirium.

Sherman’s March, winner of the Grand Jury Prize for Best Documentary at Sundance in 1987, is Ross McElwee’s monumental documentary weaving together observations on his journey through the American South, General Tecumseh Sherman and intimate reflections on his own search for love in the nuclear age.

Gregg Araki's I Want Your Sex tells the story of Elliot (Cooper Hoffman), a kind-hearted if unmotivated twentysomething whose fantasies quickly come true when he lands a job with renowned artist and provocateur Erika Tracy (Olivia Wilde). 

A playful spin on theatrical adaptation, Alejo Moguillansky's latest film is a delightfully imaginative take on Samuel Beckett's Fin de Partie, punctuated by music, tennis, and another exceptional turn by Laura Paredes.

Willem Defoe plays Ed Saxberger, a forgotten New York poet, who is sought out by a coterie of twentysomething admirers who anoint him as a rediscovered genius. Kent Jones's thoughtful, witty film is a wistful yet unromantic look at a lost idea of downtown New York.

Winner of the Silver Bear for Best Director at the 2026 Berlin Film Festival, Everybody Digs Bill Evans is a biographical drama film about the famous jazz pianist and composer Bill Evans. 

The first of Chabrol’s great run of bourgeois psychological thrillers follows the fall-out from a husband discovering his wife’s affair.

Pedro Almodóvar's 1986 erotic thriller explores the intimate relationship between pleasure and death through the convergence of bullfighting and murder.