A subtle meditation on memory and performance, Hong Sangsoo's latest film unfolds through a series of increasingly intimate conversations, as he continues his exploration of the boundaries between lived experience and artistic creation.

Sherman’s March, winner of the Grand Jury Prize for Best Documentary at Sundance in 1987, is Ross McElwee’s monumental documentary weaving together observations on his journey through the American South, General Tecumseh Sherman and intimate reflections on his own search for love in the nuclear age.

Pedro Almodóvar's 1986 erotic thriller explores the intimate relationship between pleasure and death through the convergence of bullfighting and murder.

Vittorio Cottafavi's emotionally complex 1954 melodrama follows Liana, a young architecture graduate on the cusp of marriage, who becomes convinced she shouldn't live a life in service of a man. Instead, she leaves for Amalfi, where she embarks on an affair. 

A playful spin on theatrical adaptation, Alejo Moguillansky's latest film is a delightfully imaginative take on Samuel Beckett's Fin de Partie, punctuated by music, tennis, and another exceptional turn by Laura Paredes.

Winner of the Silver Bear for Best Director at the 2026 Berlin Film Festival, Everybody Digs Bill Evans is a biographical drama film about the famous jazz pianist and composer Bill Evans. 

The first of Chabrol’s great run of bourgeois psychological thrillers follows the fall-out from a husband discovering his wife’s affair.

Willem Defoe plays Ed Saxberger, a forgotten New York poet, who is sought out by a coterie of twentysomething admirers who anoint him as a rediscovered genius. Kent Jones's thoughtful, witty film is a wistful yet unromantic look at a lost idea of downtown New York.