A subtle meditation on memory and performance, Hong Sangsoo's latest film unfolds through a series of increasingly intimate conversations, as he continues his exploration of the boundaries between lived experience and artistic creation.

The filmmaker Ignacio Agüero creates an intimate audiovisual correspondence with his parents, beginning with his father’s death just days after Allende’s election and spanning fifty years of personal and Chilean history.

Weaving together oral histories, archaeological field notes, regional legends, poetry, and song, Maureen Fazendeiro's The Seasons is a remarkable portrait of the Alentejo region of Portugal, its people, and its stories.

Sergio, a wealthy bourgeois intellectual, chooses to stay in Havana while his family flees to Miami after the Cuban Revolution. Unable to join the new socialist fervour or let go of his past, he wanders the city as a cynical, detached observer.

In his striking feature debut, long-time Bad Bunny collaborator Stillz captures an intimate, formally daring portrait of Colombia's forgotten youth. Barrio Triste is heightened by a restless, intense debut score from Arca, whose fluid soundscapes anchor the film's vision. Navigating the thin line between desperation and the supernatural, Stillz delivers a beautiful, unclassifiable piece of contemporary cinema.

A new feature debut from Sudanese-Russian filmmaker Suzannah Mirghani explores the legacy of colonialism and the fight for self-determination through the tender eyes of a teenage girl.

Nicolas Winding Refn (Drive, Only God Forgives, The Neon Demon) returns to the silver screen with Her Private Hell. As a strange mist unleashes an elusive darkness, a young actress (Sophie Thatcher) and an American GI (Charles Melton) find their lives intertwined in a hypnotic, neon-drenched moodscape where memory, reality, and survival collide. 

In Remake, filmmaker Ross McElwee turns his lens on the passage of time and the uneasy space between documenting life and understanding it. The film traces McElwee’s relationship with his son Adrian, and the fragile bond the camera created between them while Adrian was alive, and now that he’s gone.