A new feature debut from Sudanese-Russian filmmaker Suzannah Mirghani explores the legacy of colonialism and the fight for self-determination through the tender eyes of a teenage girl.

Winner of the Grand Jury Dramatic Prize at Sundance, this suspenseful and devastating film follows a child trying to navigate life after witnessing a sexual assault.

In 1993, invited by David Lynch to come up with a low-budget genre movie, Michael Almereyda (Tesla, Experimenter, Hamlet) came up with a moody, postmodern reimagining of the Dracula myth which draws inspiration from Dracula’s Daughter (1936) and André Breton’s surrealist novel Nadja. 

Following a screening of her short Ghazal-e Sorkh, Jarman Award–winning artist Maryam Tafakory presents this live film performance, which explores erased histories of women’s political resistance in Iran.

Shot at night on the rooftops of Tel Aviv, the film reveals in detail the systems behind Israel’s calculated mass killing of Palestinian civilians in Gaza.

Resisting the enduring legacies of colonial violence and honoring those who continue to gather, speak and dream, these films transform acts of remembrance into radical forms of reclamation, solidarity and world-making.

Set against the backdrop of mass protests in Paris, Case 137 follows Stéphanie, a meticulous internal affairs investigator working on the case of a teenager severely wounded by police fire. As she searches for the truth her inquiry collides with institutional resistance and pressure mounts as the case takes a personal turn when she discovers the victim is from her hometown.

The latest in Christine Molloy and Joe Lawlor’s series of cinematic essays is a rich and thought-provoking journey through ageing, legacy and the intersection between artistic and personal relationships.

A woman (Juliette Lewis) swaps bodies with a chair, and everyone likes her better as a chair in a surreal, deadpan comedy from director Amanda Kramer.