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I understand my works as acts of mythopoesis, as process-driven embodiments of different ways of being in other possible worlds. I think of ritual & performance as technologies of divination, a way to vision, prophecy or fiction [other] [queer] futurities.
with bare feet touching the sky I yearn is a newly commissioned work by performance artist Joseph Morgan Schofield. Articulating their work as ‘queer ritual action’, Morgan Schofield understands ritual as a technology which facilitates us to experience time differently and can produce sensations of (be)longing.
Underpinned by a deep sense of longing that is about both loss and desire, with bare feet touching the sky I yearn calls to a trans* futurity which is wilder and more raw than the anxious present. This futurity is multiplicitous – shrouded, erotic, and non-linear. It is bound up with more-than-human ecologies and, like life itself, it is chaotic and non-binary.
The work presents prophetic fictions composting with dried flowers, soil and natural pigments. A wormhole is opened in the earth and the boundaries between human subjectivity and worlds beyond are made porous. They are sweaty, bloody gestural embodiments of yearning, facilitating a symbolic, DIY diffusion of selfhood. The work offers no clear path but rather an invitation – to step into a more mythic time, a space for dreaming, grieving, desiring and communing.
no. 236848.