François Ozon’s exquisite adaptation of Albert Camus’s classic existential novel brings the contradictions and hypocrisy of the French colonial project into sharper focus, while maintaining the original novel’s spirit of philosophical provocation. 

Sergey Loznitsa returns to fiction in the historical drama based on an unpublished novella from a Gulag survivor.

Winner of the Golden Lion at the Venice Film Festival, the latest film from Jim Jarmusch takes the form of a triptych, to tell three stories concerning the relationships between adult children, their somewhat distant parent (or parents), and each other.

A programme of Jacobs’ early collaborations with Jack Smith. The retrospective Seeing Through Film celebrates the work and lives of Ken and Flo Jacobs, who both passed away in 2025. One of the American avant-garde’s most prolific figures, Ken Jacobs (1933-2025) and his wife and lifelong collaborator Flo Jacobs (1941-2025) were an integral part of the New York alternative film scene. 

Radu Jude resurrects Dracula, dissecting modern Europe and its myths through a collision of AI mischief and pornographic absurdity.

Artavazd Pelechian is one of the greatest montage artists in modern cinema. His films uniquely combine documentary footage from official archives with images shot by the filmmaker himself and his collaborators. The programme Interstitial Cinema: the films of Artavazd Pelechian offers a rare opportunity to see this work in the United Kingdom.