In Orian Barki and Meriem Bennani’s debut feature, a queer Moroccan coyote navigates distance and family in a genre-blurring animated journey through New York’s emotional landscapes. 

François Ozon’s exquisite adaptation of Albert Camus’s classic existential novel brings the contradictions and hypocrisy of the French colonial project into sharper focus, while maintaining the original novel’s spirit of philosophical provocation. 

Winner of the Golden Lion at the Venice Film Festival, the latest film from Jim Jarmusch takes the form of a triptych, to tell three stories concerning the relationships between adult children, their somewhat distant parent (or parents), and each other.

Radu Jude resurrects Dracula, dissecting modern Europe and its myths through a collision of AI mischief and pornographic absurdity.

New York, seen through the eyes of Ken Jacobs. The retrospective Seeing Through Film celebrates the work and lives of Ken and Flo Jacobs, who both passed away in 2025. One of the American avant-garde’s most prolific figures, Ken Jacobs (1933-2025) and his wife and lifelong collaborator Flo Jacobs (1941-2025) were an integral part of the New York alternative film scene.

Curated by Sophia Satchell-Baeza, this programme focuses on British and North American work from the 1960s and 1970s, bringing together early films by Barbara Hammer, John Smith, Jud Yalkut, Jerry Abrams, Scott Bartlett, and Mark Boyle and Joan Hills.