Radu Jude resurrects Dracula, dissecting modern Europe and its myths through a collision of AI mischief and pornographic absurdity.

François Ozon’s exquisite adaptation of Albert Camus’s classic existential novel brings the contradictions and hypocrisy of the French colonial project into sharper focus, while maintaining the original novel’s spirit of philosophical provocation. 

Winner of the Golden Lion at the Venice Film Festival, the latest film from Jim Jarmusch takes the form of a triptych, to tell three stories concerning the relationships between adult children, their somewhat distant parent (or parents), and each other.

Set in near-future Brazil where the government prioritises productivity above all else, elderly citizens are forcibly relocated to remote colonies to make way for younger generations. When 77 year old Tereza reaches the mandated age, she refuses to comply.

Exploring memory and land, these films bridge past and present. In To the Left of the Fir-Tree, an elderly man revisits his German garden through recollection. The Seasons incorporates archaeology and folklore into a polyphonic portrait of Portugal’s Alentejo region. Both works find history in the soil, from family orchards to collective farming projects. 

Laura, a piano student from Berlin, miraculously survives an accident. Physically unhurt but deeply shaken, she is taken in by a local woman who witnessed the accident. When her husband and adult son also give up their initial resistance to Laura's presence, the four of them slowly build a familial routine. 

Iconic and game-changing, Katsuhiro Otomo's landmark anime returns to the cinema where it was first released in the UK.

Last Movies traces cinema history through an unusual and speculative lens: the final films watched by cultural and political figures before their deaths.