A film about the very act of looking, Bingham Bryant’s reflexive and enigmatic second feature traces the unstable threshold between observation, memory and desire. Accompanied by a programme of Bryant's early work including the UK Premiere of his debut feature For The Plasma.

Imamura’s jazz-inflected war comedy follows a zealous country doctor on a mission to combat hepatitis as a deadly outbreak threatens to overwhelm his seaside town in 1945. Tracking a single man’s winding odyssey, this penultimate feature—initially intended to be the director's swan song—is full of brilliant narrative deviations. It stands as a testament to Imamura's ability to constantly expand the boundaries of his characteristically complex and chaotic cinematic vision.

Nicolás Pereda’s sly, shape-shifting Fauna sends a family gathering in a remote mining town spiralling into a darkly comic reflection on narcoculture, masculinity and the stories through which violence is imagined.