A film about the very act of looking, Bingham Bryant’s reflexive and enigmatic second feature traces the unstable threshold between observation, memory and desire. Accompanied by a programme of Bryant's early work including the UK Premiere of his debut feature For The Plasma.

Crowned with the Palme d’Or at Cannes in 1997 (shared with Abbas Kiarostami’s Taste of Cherry), The Eel made Imamura one of only ten filmmakers to have received the award twice. An unexpectedly tender tale of redemption, The Eel centres on a taciturn middle-aged man, who is released on parole after killing his wife and her lover in a fit of passion.

Two beguiling works from Nicolás Pereda: a languorous Mexico City interior of artists, books and dreams, paired with a playful school documentary that gradually transforms into the strange tale of a boy whose skin has lost its pigment.