Developed as a vehicle for Stévenin, Patricia Mazuy’s telluric debut presents an alternative take on rural French life than found in Passe Montagne. Following a man returning to his village after ten years in prison, Peaux de Vaches depicts provincial France as a terrain of repressed violence and simmering resentments.

When Gabino’s long-absent father unexpectedly returns home, a familiar family drama begins to unravel and repeat itself, as Nicolás Pereda playfully collapses the boundaries between actors and characters, fiction and lived experience.

A film about the very act of looking, Bingham Bryant’s reflexive and enigmatic second feature traces the unstable threshold between observation, memory and desire. Accompanied by a programme of Bryant's early work including the UK Premiere of his debut feature For The Plasma.