The act of dreaming takes centre stage in Hong Sangsoo's luminous and profoundly melancholic tale of a young woman coming to terms with her mothers emigration and the complications of a relationship with an older man.

Perhaps Hong's most visually sumptuous film, Nobody's Daughter Haewon in its languid unravelling of coincidences, dreams and memories and its stunning central performance exudes an atmosphere of diaristic tenderness.